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- <text id=90TT0138>
- <title>
- Jan. 15, 1990: When The Pot Overflowed
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Jan. 15, 1990 Antarctica
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- VIDEO, Page 52
- When the Pot Overflowed
- </hdr>
- <body>
- <p>By Richard Zoglin
- </p>
- <qt> <l>EYES ON THE PRIZE II;</l>
- <l>PBS, debuting Jan. 15, 9 p.m. on most stations</l>
- </qt>
- <p> When we last left the civil rights movement, at the end of
- the 1987 PBS documentary series Eyes on the Prize, it had just
- survived a violent clash with state troopers outside Selma,
- Ala. The confrontation climaxed a remarkable decade of civil
- rights activity that followed the 1954 Supreme Court decision
- outlawing segregation. Eyes on the Prize II, an eight-week
- continuation of that story, plunges us into a much different
- world. Malcolm X, Stokely Carmichael and other firebrands have
- emerged to challenge the movement's old guard and question its
- tactics. If Eyes on the Prize recounted the inspiring opening
- act of the civil rights struggle, the follow-up series presents
- a more complex and disturbing Act II.
- </p>
- <p> The cast of characters is larger, the moral positions less
- clear-cut, the progress not always forward. The Rev. Martin
- Luther King Jr. and his followers move their desegregation
- campaign to Northern cities like Chicago, but with mixed
- success. Black Panther leaders like Huey Newton and Bobby Seale
- sound as threatening as the white racists they oppose. Riots
- break out in Watts, Detroit, and Attica prison. Meanwhile, the
- nation undergoes a virtual revolution of race consciousness.
- Negroes are transformed into blacks, Afro hairstyles become a
- political statement, and the rise of a sassy young heavyweight
- named Cassius Clay has reverberations far beyond the boxing
- ring.
- </p>
- <p> Though Eyes on the Prize was one of the most acclaimed
- series in PBS history, producer Henry Hampton had difficulty
- lining up financial support for a sequel. Several corporations
- reportedly were uneasy about underwriting a series that would
- deal with more controversial material. Actually, Eyes II steers
- its way through the turbulent era with admirable calm and
- impartiality. The unfailingly judicious narration (spoken by
- Julian Bond) at times seems restrained to the point of
- timidity.
- </p>
- <p> Still, Eyes II is about as good as TV documentaries get. The
- old news footage, of course, is irresistible: scenes of
- marchers in Cicero, Ill., or crowds chanting "Free Huey!"
- recall the era as vividly as an LP of the Supremes' greatest
- hits. But the filmmakers have made unexpected finds as well,
- like rare glimpses of King's aides debating strategy before the
- 1968 Poor People's March on Washington. (King interrupted these
- planning sessions to travel to Memphis, where garbage men were
- on strike and where he would be assassinated.)
- </p>
- <p> But Eyes II stands out also for the intelligent, graceful
- way all this material has been assembled. Each episode has an
- organizing theme (the movement goes north; the emergence of
- black pride) and a dramatic arc that builds toward climactic
- episodes marking key milestones. What makes the series most
- satisfying, however, are the interviews with onetime partisans
- who look back with surprising insight and clearheadedness. It's
- the sight of a graying Carmichael smiling as he recalls a phone
- conversation with King just before King came out publicly
- against the Viet Nam War. Or Ron Scott, whose apartment was
- raided by National Guardsmen during the Detroit riots,
- explaining, "Inside of most black people there was a time bomb...a pot that was about to overflow." If the historian's job
- is to bring some sort of order and sense to events that once
- seemed chaotic and frightening, then Eyes II deserves top
- prize.
- </p>
-
- </body>
- </article>
- </text>
-
-